FLAGS OF THE WORLD, NICOLE SMITH.
Banderas del mundo. Texto en inglés.
Hardcover, 80 pages. Large format, in good condition. Regency, 1995
Referencia: Casilla 0.5 centro izquierda
Soft cover 342 pages. Well preserved. vintage 2002
Enlaces directos: novel in english + Sebastian faulks +
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Soft cover 342 pages. Well preserved. vintage 2002
Banderas del mundo. Texto en inglés.
Hardcover, 80 pages. Large format, in good condition. Regency, 1995
Tapa dura, 390 pág. formato grande. Buen estado. Idiomas: inglés-alemán.
Texto en inglés. Las téncias de los efectos especiales en el mundo televisivo de los años 70.
Tapa dura, 392 pág. en buen estado. Focal Press, 1971. Proviene del archivo de TV3.
The 100 most influential people.
Revista de 100 pág. en buen estado. Idioma; inglés. Mayo, 2014.
Catálogo con precios de utensilios de cocina antiguos.
Hard cover, pocket size.126 pag. Well-preserved. Compiled by Tony Curtis 1978.
Texto en inglés. Tapa dura, 254 pág. en buen estado. Muy ilustrado. Brunswick, 1970
Tapa dura, 19 pág. buen estado. Texto en inglés. Combel, 2016
(en inglés) Study on the filmography of the director. ç
Soft cover, folio format, 248 pages. In good state. 1976 Citadel
Sof tcover 548 pg. Well-preserved HarperCollins 2001
Tapa blanda, 417 pág. buen estado. Gestión, 2000.
Historia de la casa fortaleza de Adolf Hitler. Nido del águila. También información sobre otros domicilios de miembros nazis.
Texto en inglés. Tapa blanda, 80 pág. + panorámica desplegable. en perfecto estado.
Soft cover, 210 pg. Ed Emery 2004
Texto en inglés. buen estado. Años 90-2000.
Soft cover 454 pg. Well-preserved Abacus 2001
By Joan Punyet Miró. Text: english.
Is an attempt to piece together Miró's relationship to music through a journey that covers his early Barcelona days, where music was at the core of life; to the early twentieth-century Paris cultural maelstrom, that saw him blossom as an artist; and, Palma de Mallorca, his last Mediterranean enclave, where he lived and worked, and labored away at his extensive and well-stocked library and, in all likelihood, on one of the island's most eclectic record collections. (Comprehensively published at the end of this book.) Turned his palette to all sorts of musical visions. His work promptly proves it; his musical thirst unquenchable: classical, avant-garde, ballet, flamenco, contemporary. The entire gamut. In New York it was jazz and gospel; in Barcelona he favored flamenco, and in Paris the rest. This proven passion is similar to that of a stamp collector. So it was with Miró, whose collection includes recordings of the "music" of insects or birds; African and Asian traditional music; Bach, Mozart and all the classics, romantics... You name it-it's there. His collaborations with the likes of Varèse, Antheil, Boulez, Stockhausen, Gerhard, Cage and others proved profound in terms of his musical education, as well as the commitment shown by his devoted stalwarts, who kept him abreast and supplied- of all that was different and original.
Softcover, 189 pp. in good state. Alrevés, 2017. 1st edition.
Hardware is hard, inflexible, produced by gnomes with sub-micron tools. Virtual machines wrap a layer of software around this hardware, and suddenly computers become flexible, malleable, and start doing new tricks: running multiple operating systems, executing several instruction sets, allowing running programs to switch machines, or even rejecting unsafe code. Virtual machines are changing the way in which computer architects, operating system designers, programming language implementers, and security experts think about computers and computing. Smith and Nair's book is an up-to-date overview of virtual machines and their many uses. —Jim Larus, Microsoft Research Virtual machines are everywhere. Jim Smith and Ravi Nair make abundantly clear the deep impact of this technology on the design of modern computer architectures, programming languages, operating systems, and security techniques. I highly recommend this book for anyone interested in the future of computing systems.
Tapa dura, 638 pág. buen estado. MK, 2005